Too much talent remains trapped in poverty while too much mediocrity is being funded.

The One Percent was a character, and the Ninety-Nine Percent is a crowd. And crowds have the predictable habit of talking back.

Jorge did not modernise doñismo by making it subtle or restrained. How boring that would’ve been.

They were clothes doing what good clothes should do. Making the eye stay a little longer.

Getting dressed and undressed is one of the most ordinary things people do. Antonio del Canto made it worth watching.

That is where the collection becomes considerably more sophisticated than its prettiness initially suggests.

Alejandro understands the difference between what a look needs and what makes it unforgettable.

How successful does Adolfo Domínguez have to become before it allows itself the luxury of taking a risk?

Look one established the first sentence. By look seven, Vidal was practically speaking in paragraphs.

The brand’s identity currently lives closer to the garment than across the room.

Pedro del Hierro asked Madrid to stop and look. For a while, it was worth obeying.

The question is whether all that design amounted to development.

More than offering them clothes to see, we are serving them clothes to eat.

This doesn’t mean the company has ceased functioning. But functioning is a strangely low ambition for a fashion house. I don’t know… a refrigerator functions.

What do we do when somebody capable of making great art proves himself capable of great ugliness?

“Maybe you’re only into fashion. But I think the word love should imply a deeper relationship.”

And currently, every room seems to read from the same three pages of the dictionary.

When everything is visible, visibility means nothing.

If an artist consistently treats his craft as a joke, eventually his art itself begins to look like the punchline.

And to be fair, how could one resist? I do have a weakness for a well-dressed satire.